Journal of Dramatic Theory and Criticism, 29.2 Opening section At the outset of Murder Most Queer, Jordan Schildcrout notes the prevalence of the criminalized, murderous, queer villain in our contemporary media. From the atrocities of Jeffrey Dahmer to the crimes passionels of Andrew Cunanan to the so-called man-hating, lesbian serial killer Aileen Wournos, newsmedia […]
About Aaron Thomas
This author has yet to write their bio.Meanwhile lets just say that we are proud Aaron Thomas contributed a whooping 14 entries.
Entries by Aaron Thomas
Chapter 8: Viewing the Pornographic Theatre: Explicit Voyeurism, Artaud, and Ann Liv Young’s Cinderella Editor’s Description (from p. 21 of George Rodosthenous’s Introduction) The eighth chapter deals with approaches to the naked exhibited body and the pornographic in theatre. Aaron C. Thomas considers the work of Ann Liv Young in ‘Viewing the Pornographic Theatre: […]
Theatre Topics, 25.1 (collaboration with Angela Sweigart-Gallagher) Opening excerpt Early in the American classic Walden; or, Life in the Woods, Thoreau writes that “[i]t would be well perhaps if we were to spend more of our days and nights without any obstruction between us and the celestial bodies, if the poet did not speak […]
Theatre Journal, 66.4 Opening section The Grapes of Wrath begins without music. John Steinbeck began his 1939 novel by describing the formation of clouds of dust as they rose out of the dry, broken land in Oklahoma. The empty silences are almost palpable in the novel as the winds pick up, the skies darken, […]