Article 3 B

Speaking about Torture by Julie A. Carlson and Elisabeth Weber (review)

Journal of Dramatic Theory and Criticism, 28.1

 

Opening section

In an environment in which the humanities have more and more often been asked to prove their worth and to demonstrate their efficacy vis-à-vis problems in the material world, the editors of Speaking about Torture ask: In what ways might disciplines within the humanities address the torture policies of the twenty-first century? Speaking about Torture as a whole provisionally answers that question, with a range of chapters covering diverse fields in the humanities. These include essays on the use of music as a modern torture technique, analyses of poetry about Abu Ghraib, criticism of the treatment of the Guantánamo Bay detention center in painting, and close-readings of now-classic texts on torture such as Jean Améry’s At the Mind’s Limits and Elaine Scarry’s The Body in Pain, as well as essays that discuss torture in relation to Egyptian film, pornographic literature, and university ethics.

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