Publications – Aaron C Thomas

June 18, 2022

The Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance by Bradley Rogers (review)

August 12, 2021

Infelicities

March 27, 2020

Thinking through Theatre and Performance by Maaike Bleeker, et al. (review)

September 2, 2019

The Routledge Companion to the Contemporary Musical

August 13, 2019

From Here to There – Gloss

June 6, 2019

Truth and Translation at the Heart of Violence

May 14, 2018

Microdramas: Crucibles for Theater and Time by John H. Muse (review)

March 30, 2018

Sondheim and Wheeler’s Sweeney Todd

June 29, 2017

The Disney Musical on Stage and Screen: Critical Approaches from Snow White to Frozen

May 3, 2017

Imagined Theatres: Writing for a Theoretical Stage

May 1, 2017

Making the Radical Palatable by Jacob Juntunen (review)

January 13, 2017

My Father’s Pulse

March 30, 2016

Crossing (performance review)

March 1, 2016

Property Brothers

December 18, 2015

Watching A Raisin in the Sun and Seeing Red

November 10, 2015

Our Lives on Stage: in the National Conversation

June 12, 2015

Murder Most Queer by Jordan Schildcrout (review)

May 22, 2015

Theatre as Voyeurism: the Pleasure of Watching

March 23, 2015

The Location’s the Thing: Endstation Theatre and Dramaturgies of Place

December 25, 2014

The Grapes of Wrath (performance review)

May 5, 2014

The Queen’s Cell: ‘Fortune and Men’s Eyes’ and the New Prison Drama

November 5, 2013

Speaking about Torture by Julie A. Carlson and Elisabeth Weber (review)

July 12, 2012

Twenty-First-Century Play, Nineteenth-Century Scripts (review)

December 5, 2010

Engaging an Icon: ‘Caroline, or Change’ and the Politics of Representation

May 11, 2009

Sweet Tea: Black Gay Men of the South by E. Patrick Johnson (review)