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August 12, 2021
Infelicities
March 27, 2020
Thinking through Theatre and Performance by Maaike Bleeker, et al. (review)
September 2, 2019
The Routledge Companion to the Contemporary Musical
August 13, 2019
From Here to There – Gloss
June 6, 2019
Truth and Translation at the Heart of Violence
May 14, 2018
Microdramas: Crucibles for Theater and Time by John H. Muse (review)
March 30, 2018
Sondheim and Wheeler’s Sweeney Todd
June 29, 2017
The Disney Musical on Stage and Screen: Critical Approaches from Snow White to Frozen
May 3, 2017
Imagined Theatres: Writing for a Theoretical Stage
May 1, 2017
Making the Radical Palatable by Jacob Juntunen (review)
January 13, 2017
My Father’s Pulse
March 30, 2016
Crossing (performance review)
March 1, 2016
Property Brothers
December 18, 2015
Watching A Raisin in the Sun and Seeing Red
November 10, 2015
Our Lives on Stage: in the National Conversation
June 12, 2015
Murder Most Queer by Jordan Schildcrout (review)
May 22, 2015
Theatre as Voyeurism: the Pleasure of Watching
March 23, 2015
The Location’s the Thing: Endstation Theatre and Dramaturgies of Place
December 25, 2014
The Grapes of Wrath (performance review)
May 5, 2014
The Queen’s Cell: ‘Fortune and Men’s Eyes’ and the New Prison Drama
November 5, 2013
Speaking about Torture by Julie A. Carlson and Elisabeth Weber (review)
July 12, 2012
Twenty-First-Century Play, Nineteenth-Century Scripts (review)
December 5, 2010
Engaging an Icon: ‘Caroline, or Change’ and the Politics of Representation
May 11, 2009
Sweet Tea: Black Gay Men of the South by E. Patrick Johnson (review)
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