Publications – Aaron C Thomas

June 6, 2019/by Aaron Thomas

Truth and Translation at the Heart of Violence

May 14, 2018/by Aaron Thomas

Microdramas: Crucibles for Theater and Time by John H. Muse (review)

March 30, 2018/by Aaron Thomas

Sondheim and Wheeler’s Sweeney Todd

June 29, 2017/by Aaron Thomas

The Disney Musical on Stage and Screen: Critical Approaches from Snow White to Frozen

May 3, 2017/by Aaron Thomas

Imagined Theatres: Writing for a Theoretical Stage

May 1, 2017/by Aaron Thomas

Making the Radical Palatable by Jacob Juntunen (review)

January 13, 2017/by Aaron Thomas

My Father’s Pulse

March 30, 2016/by Aaron Thomas

Crossing (performance review)

March 1, 2016/by Aaron Thomas

Property Brothers

December 18, 2015/by Aaron Thomas

Watching A Raisin in the Sun and Seeing Red

November 10, 2015/by Aaron Thomas

Our Lives on Stage: in the National Conversation

June 12, 2015/by Aaron Thomas

Murder Most Queer by Jordan Schildcrout (review)

May 22, 2015/by Aaron Thomas

Theatre as Voyeurism: the Pleasure of Watching

March 23, 2015/by Aaron Thomas

The Location’s the Thing: Endstation Theatre and Dramaturgies of Place

December 25, 2014/by Aaron Thomas

The Grapes of Wrath (performance review)

May 5, 2014/by caleb@greyship.com

The Queen’s Cell: ‘Fortune and Men’s Eyes’ and the New Prison Drama

November 5, 2013/by caleb@greyship.com

Speaking about Torture by Julie A. Carlson and Elisabeth Weber (review)

July 12, 2012/by Luke Custer

Twenty-First-Century Play, Nineteenth-Century Scripts (review)

December 5, 2010/by caleb@greyship.com

Engaging an Icon: ‘Caroline, or Change’ and the Politics of Representation

May 11, 2009/by caleb@greyship.com

Sweet Tea: Black Gay Men of the South by E. Patrick Johnson (review)